4/8/2023 0 Comments Tom hanks movie finchYou don’t want to go completely off the beaten track.ĭirector, Miguel Sapochnik behind the scenes of Finch, premiering globally Nov. There was a lot of back and forth between myself and Steven Spielberg and Tom Hanks and others on how the movie should end. But we pulled back on that in the final cut. Tom was absolutely willing to explore the dark side. But the character of Finch has a dark aspect to him and we explored that in the making of the film. He said one thing he had learned is that people go to a Tom Hanks movie because they want to see Tom Hanks in it. But at the same time, you’ve got a job to do. Like meeting Tom, I grew up watching these people, so you’re in awe of them and slightly intimidated. Was there any specific insight that he gave that was helpful - either for the filmmaking, or working with Hanks given his history of directing him in films like Forrest Gump and Cast Away? You also had the great Robert Zemeckis as an executive producer. It felt like we were making a movie with Tom Hanks instead of making a movie with Tom Hanks in it. So those tropes that exist when you make a movie disappeared, like, “Are we ready for Tom ”? Those tropes didn’t exist. That might not sound unique, but it has this cumulative effect. Then when we were ready, he’d open the visor and go. He would come onto set in the suit, do his scenes, then sit in a chair, close his visor, turn on the AC and go to sleep. We designed to be very comfortable so Tom wouldn’t want to be constantly getting out of it the suit had this air conditioning system and a one-way visor mirror. Then when he showed up on the first day, he never left the set. Can I be in it?” Then I went into this pitching this and that and it was like, “He already said he wants to be in your movie, why are you still pitching?” … Later, I couldn’t make the film for a year and a half and Tom said, “That’s OK, I’ll wait” - which is rare. During the very first meeting he said, “OK, so I really liked the movie. That he was really collaborative and was extremely engaged from day one. What surprised you most about working with Tom Hanks? Giving his first interview about the film, Sapochnik discusses (spoiler-free) making Finch and provides an update on his return to Westeros, too. The studio sold the project to Apple in March (marking the company’s second acquisition of a Hanks film the first was the 2020 World War II drama Greyhound), and now Finch debuts on Apple TV+ on Nov. Universal Pictures was originally going to release Finch - then titled Bios - in theaters in October 2020, but the pandemic interfered with that plan, as well. People come away from Finch having really felt something, and that’s incredibly meaningful.” “It’s harder to do something with any sort of hope or lightness for many reasons, but when it hits, you can see how people react. “The surprising thing was that I’ve done a lot of dark stuff, and doing something that’s not dark is so much harder,” Sapochnik says. After Thrones, the director turned his attention back to Finch. Critics noted that Sapochnik’s quiet, dramatic scenes were every bit as powerful as his staging of spectacle, and he took home two Emmys for his work on the show. He pulled off an acclaimed battle sequence in 2015’s “Hardhome,” then helmed what’s arguably one of the best action sequences of all time in season six’s “Battle of the Bastards.” Thrones producers and cast praised Sapochnik’s tirelessness focus amid torturous night shoots (the director famously only permitted himself one bathroom break per day while shooting). After he joined Thrones in season five, Sapochnik’s episodes immediately popped. The 47-year-old English director got his start in the industry as a storyboard artist (his credits include 1996’s Trainspotting) who then began directing television ( Fringe, House, Mind Games), as well as the 2010 feature film Repo Men. “The world’s been going through a lot of turmoil and we realized we didn’t want to add to it, we wanted to somehow find some meaning in all the chaos.” “There’s this line, ‘Hope is what keeps us alive,’ and it felt like we needed to lean into that,” Sapochnik says during a Zoom call from Spain, where he’s directing and co-showrunning the Thrones prequel House of the Dragon. But then, just as postproduction was about to wrap, the pandemic shut down the industry and the filmmakers found themselves in an entirely unforeseen situation of telling a dark, post-apocalyptic tale amid a real-life global tragedy. Finch has an Oscar winner acting alongside a canine and an android, and the audience needs to become fully invested in all three. The Best Tablet Accessories for Every Type of Screen Setup, from Stylish Keyboards to Slim Casesįilming was always going to be tricky.
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